I just watched this last week, OP this is 100% what you’re thinking of. The guy that directed this episode also directed Mandy with Nicolas Cage and Beyond the Black Rainbow.

I think the most memorable is probably The Wolf of Wall Street but it was nowhere near as awkward as it could have been. My sister and her husband wanted to see a movie with the family in theaters. Luckily the uproarious constant laughter from the packed theater was far more manageable than the awkward silence that would have happened with an at-home watch.

What really got me was that a whole group of my friends had planned on seeing it the week before, but one very difficult guy insisted that he would not go see a “boring movie about financial crime” and made such a huge fuss that we finally agreed to see American Hustle instead, which was a very tame movie “about financial crime” funny enough.

After, that guy said he was bored for the entire movie (despite the fact that American Hustle was actually pretty good). If it wasn’t for the fact that The Wolf of Wall Street is exactly the kind of movie you want to see with your friends and not your parents, and that American Hustle would have been a perfect movie to see with the family, I’m not sure it would stick out in my mind so much.

According to Schipper, the first attempt was dull because the actors were too cautious, being afraid to make mistakes; the second attempt was the opposite, as the actors went “crazy”. Schipper says he became “angry” and “terrified” after seeing the second take and realizing he had only one chance left; in a subsequent meeting, he gave the cast a “hairdryer speech … [it] was not a meeting that ended in hugs and ‘good talk.’ It was crazy. But the tension was built on knowing we wanted the same thing”. Schipper believes the final attempt was successful because there was an element of “aggression” missing from the other versions.[7]

Added to my watch list, I’m super intrigued to see how the final cut turned out.

These are my sentiments exactly, very excited to see this getting closer to release. If I had to sum up my feelings of enthusiasm, I’d quote Lea’s joyous line: “Hi! Lea! Hi!”

CrossCode has some of the funnest and most satisfying mechanics of all time for me, and seeing that same kind of slick combat and use of powers for exploration seems like they kept everything that made it so fantastic while creating something new that’s dripping with style.

Since CrossCode also had one of the most emotionally effective uses of story pacing for me as well (and because I loved Lea’s limited access to a full vocabulary and the excitement when Sergey would break his way through the communication system so she can access a new word), I’m very curious what it’s going to be like with a protagonist that speaks in full.

It might depend on how many people are familiar with the flowers but “Yellow Shrimp and The Phipps” sounds like a worthy name to post on !fakebandnames@lemmy.world

Once one is discovered, there will be a NASA mission to bake a gigantic loaf of bread and launch it at the butter star.

This is my yearly reminder that I still haven’t watched Melancholia (2011) and that I should at some point.

This is the extreme end of things but nearly every Zack Snyder movie, extreme because it specifically goes heavy on editing saturation, contrast, etc., that takes away the aspects of realism for this look to instead make it stylized in an exaggerated way on purpose.

Joker (2019) plays with this look.

A lot of noir-esque stuff will use this kind of look to varying degrees too. Dark City (1998), and a lot of the future/neo-noirs will do this even when bright cyberpunk lights are present. Zone 414 (2021) is another one. Live by Night (2016) uses it during the criminal activity scenes to contrast against the brighter, roaring world of the rich.

I think there are a lot of better examples out there that I’m just not thinking of at the moment.

Edit: Adding Prisoners (2013), Pan’s Labyrinth (2006), Children of Men (2006), and Taxi Driver (1976) to the list.

Part One was available on Max about three months after the Blu-Ray release for it (Part One had digital copies released Jan 9 and physical versions released Jan 23, with Max getting it on about April 26).

I really wish they’d get specific about streaming dates but it does seem like Max is consistently getting this kind of stuff about three months after their initial release for purchase dates.

Thank you for the heads up – this is exactly the kind of thing I wish I had known going into Prometheus. Just expecting something different made the facepalms more than I can handle. I feel like knowing what to expect is going to make it so I can check out Covenant at some point without the accompanying let down that.

I definitely plan to get around to it now. Talking this out here kind of made me realize one of my big frustrations with Prometheus was how excited I was for it and how high my expectations were. Being able to go into Covenant without a surplus of hope and instead set realistic expectations will probably make it more of a throwaway watch if anything, instead of a big let down.

This too! I was actually thinking about the theatrical trailer but I was so hyped for the movie that I watched this a dozen times beforehand too. I don’t know why but I thought we’d see some more of this kind of stuff in the actual movie and was surprised that Guy Pearce was in makeup to look 104 years-old for the entirety of it instead.

Oh yes! I was very intrigued when it was announced and I actually added it to the “My Stuff” section on Hulu when it released but didn’t get around to watching it and totally forgot about it. Thank you for the reminder, I’m marking this as the next movie I watch for sure!

I think I’ll keep it on my “movies I’m not in any hurry to see but will probably check out someday” list right where it’s been then.

The trailer for Prometheus is one of the biggest catfish movie swindle experiences I’ve ever had. I was enthralled by that trailer, I remember how excited I was when buying tickets to see it and getting in our seats. As the movie went on, reality set in. There are some cool scenes but they are so engulfed by insane choices and boring nonsense that I hope the How Did This Get Made podcast (the podcast that reviews ‘bad’ movies) does an episode on it someday.

I do think Fede Alvarez will do extremely well with the visuals after Evil Dead (2013), but Lee Cronin’s Evil Dead Rise sequel was far better at mixing the wild and crazy stuff the franchise was originally known for with modern, shocking visuals. My guess is they’ll keep the story reeled in and focus on iconic tropes and scenes in Alvarez’s style, keeping it more safe and simple which is fine. But I’m all out of excitement and will just wait and see what actually does come of this.

Speaking of, Prometheus was so hard to sit through that I never watched Covenant because of my fear of seeing those elements continued, even with how much I like Danny McBride. Watching Shane Black’s The Predator that released a year afterward did not help revive a lot of interest in that movie universe for me either. I’ve heard a lot of takes but I’m curious, would anyone here recommend watching Covenant?

That scene in the hardware store where Snoop buys the powder-actuated nail gun is still one of the greatest setup scenes in my book, especially after you find out what they need it for.

Ah yes, because Alex Garland never makes films that provide a cautionary examination and instead is a complete advocate for bringing those dystopian settings to real life. /s

Conan handled the writers strike and this very issue so magnificently. We got Jordan Schlansky because of lack of content during the strike and he continued to pay idled employees personally out of his own pocket so that no one would lose a paycheck and no one felt pressured to “scab” to survive. A comedic master and a class act.

Good use of natural framing, combined with rule of thirds and selective focus. It’s a good photo!