The bigger the artist, the more likely they are to have a crew handling their gear. It is probably in whatever trailer or van they use to transport the gear when not on stage, then on/around the stage pretty quickly once the artist gets to the next city.

This is a bit dependant on the people. The real trick is communicating and being on the same page, like everything in a relationship.

Is this person known to be friends with each group, by each group? Or are they trying to keep their connections hidden, as well?

To be fair, being a mesh design, I would want to pick it up by the pyramid, too.

I’m happy to see I’m not the only one that Google searches like this after a certain level of frustration. “How the fuck do I do the thing and why did they change it in the first place? This is fucking stupid, Google, why can’t you just answer my fucking question, you dumb shit?”

YSK the Internet is full of silly gooses that can’t read

Gameplay design is the design of how the game plays. Level design of the design of the levels. In this scenario, the problem is not being able to advance until the platforms are even, which is an issue of gameplay design.

The couple times I’ve had lucid dreams, all the “NPCs,” if you will, became violently aggressive towards me once I realized it was a dream.